Free pdf tutorials on adobe after effects
Here is a screenshot of what you will see if you are working on a project in Adobe After Effects. Note that I am using CS6 so depending on your version, the interface may differ slightly. The project window will show you a list of all the files you imported into your project as well as any compositions you created. You can create folders here and I do recommend that you keep your files properly organized as it can get pretty messy pretty fast, especially when you work on more complicated VFX.
The timeline displays the contents of the current composition you are working on. On the left side you can see all the layers in your composition and this is where you can manage their order and properties. On the right side you will see the life bar for each layer. This bar indicates when the layer starts and ends and you can move them around or adjust their start or end time at will :.
The vertical red line in your timeline window is the current time indicator and you can grab and drag the little triangle head to scrub through your composition. The preview window in the middle of the screen will show you what your composition looks like at the current time position. As you play back your or scrub through your composition, the preview window will update automatically. On the right side of the window you will find a number of tool panels.
These can be configured and generally, you can drag any tool panel around and dock it wherever you like to fully customize your After Effects interface. If you accidentally closed a tool panel and you want to get it back, you can simply re-enable it from the Window menu. One of the important tool panels is the playback panel.
You can also use the space key to start or stop playback. On the right side of the playback panel is the RAM preview button. After Effects does not play back sound by default, but you can play back your composition with sound if you use RAM preview. Here you can find all the effects available to you as well as predefined effect templates and I guarantee you will work with this panel for almost any VFX you create.
There are a few other panels on the right side of After Effects that you will get to know over time to help you with placing text, alignment, camera tracking and more. If you just started up After Effects or created a new project, you will see a blank workspace.
The first thing we want to do is import some media so we have something to work with :. A browser dialog will pop up where you can select one or more files you want to import. You can double click into any empty space in your Project Tab. This will open the same file browser for you to select the desired files to import. You can simply drag and drop any files you want to import from your standard file explorer window directly into the Project tab in Adobe After Effects.
For our first VFX, I am going to import 2 pieces of footage: a shot where I pretend pretty badly to be blow away by an explosion and a stock footage element of an explosion. You can download the explosion stock footage element for free from detonation films :. Once both files are imported into our project, you should see them in the Project tab. Like with everything else, there is more than one way to create a composition inside of Adobe After Effects. After Effects will pop up a dialog where you can configure the settings of your new composition like name, resolution, pixel aspect ratio, frame rate, duration and much, much more.
I will leave the resolution at p, the frame rate at Note that it has been added to your Project Window next to your imported media items.
After Effects will also automatically open your new composition in the timeline window. You will see a tab with the name of your composition at the bottom of the screen.
Should you accidentally close your composition, you can open it again by locating it in the Project tab and double clicking it. To add layers into your composition, simply select the visual elements you want from your Projct Tab and drag them into the layer window on the left side of your timeline. I am going to drag my base footage as well as the stock footage explosion into my composition. Ensure that the explosion footage sits above the base footage as layer order is important in Adobe After Effects and layers on top will obscur any Layers beneath, unless they are blended or masked out.
You can rename any layer by selecting it and pressing the enter key on your keyboard and I do suggest you give your layers useful names :. On the right side of the timeline you can now see the life bars for the two layers, indicating where the footage starts and where it ends.
You can drag these bars around at will to change the timing of your layers and you can grab and drag the sides of the bars to trim the layers either from the start or from the end. Move the explosion to where you want your explosion to start. Keep an eye on the preview window and play back your composition space key to ensure the timing is ok. You can click on the explosion directly in the preview window and move it around to reposition it in the scene.
You can click on the little squares on the corners and drag them to resize the layer. If you hold the shift key pressed while rescaling your layer, it will be scaled up or down uniformly. There are many ways to remove the black of the explosion stock footage, but since I want to get this blog post finished someday, I am going to focus on the 2 main options:.
This tab shows you all the effects and their parameters available on the currently selected layer. Most of the black should be gone : However, I am also going to increase the Color Tolerance to remove as much black as I can without cutting into the explosion. Need to work in 32bpc for nice depth of field and motion blur? Now you can! Convert your footage from 8bpc to 32bpc with new free plugin.
UV mapping finally available in After Effects. Check out this amazing tutorial to learn how to integrate your 3D artwork with After Effects to improve your workflow, save time and money.
In this first part James will teach how to create 2 scenes. First how to take a shot of a mansion and give it an intense and scary look through sky replacement and colour correction. Second we will take a shot of a stone gargoyle face and create a subtle yet creepy effect in which it frowns evilly at an oncoming victim. Be afraid…be very afraid. In this video tutorial, Aharon Rabinowitz shows you how to use shape layers to easily create that Old-School look where a red dashed line animates over a map to indicate travel destinations.
In this tutorial artist is going to show you how to create a spray paint effect using After Effects. Animating your After Effects design in 3D space is fun and, for the most part, easy to achieve. However, the camera and objects can have their own agendas in some instances, but a few tricks can change a seemingly uncontrollable camera animation into pure, cool cinematography….
Learn how to use light streaks with live action footage and enhanced coloring method and 3D layer control. In this video tutorial, Eran Stern creates a watery liquid push effect and color corrects the shot using the bundled Color Finesse plug-in. Using a layer of smoke, blurs, colour correction and some masking techniques, Nick shows you how to create the energy ball, give it a burning hot spot, animate it to fly towards the camera and reflect off the nearby fence.
In this tutorial artist is going to explain how easy it is for any photoshop users out there that create a lot of effects-added branding to transform their work into a great and simple animation using After Effects, presumably to spice up your client presentation or intro to your website.
This was made in After Effects CS4 and demonstrat…. Now you can easily call it quits within After Effects! Rob uses the example of creating a paper crumple transition to show off the Digieffects plugin Freeform AE. Who knows… this tutorial might just save your job. The more you get into After Effects, the more you realize how cool it is to bring in stuff from outside the program. This tutorial shows how take a scene from Cinema 4D and bring it over into AE.
Using basic AE tools and some expressions you will learn how to create this 3D wall made of custom shapes and a nice laser beam to reveal your text. In this tutorial, Chad Castleberry will walk you through an all new, updated technique to creating an opening title sequence seen in movies like Superman or The Last Starfighter. Concepts covered: The Echo Effect, simple keyframe animation, and using fractal noise to create an interesting starscape. In this tutorial Mathias shows that corner pin tracking can do much more than just replacing some pictures on a wall.
We are going to compose a wound on a moving head and use the Mocha tracker in combination with his script MochaImport. Trust me, this is so much easier then creating a real head wound!
It is all done in After Effects without any third party plug-ins. How to write a waiver for volunteer work. How to create event apps. The best HRM software for small business. Top AppGyver alternatives. How to create a food ordering app.
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While the first couple of steps are super simple, the fixes do get more complex. The liquid effect is one of the most popular text animation styles. Maybe because it is not overly complicated to create. This might seem pretty basic, but animating lines is a must-have skill if you plan to make maps or timelines in After Effects. The tutorial includes a video and Motion Array does a great job explaining how to perform actions using this software.
On-screen tracking text moves with imagery on the screen like the elements are tied together. It looks like the text is almost tied to the image. This tutorial shows you how to create that effect so that text elements animate in unison with camera movement. Vintage film effects can look pretty cool and add a very specific vibe to animations and videos.
This After Effects tutorial shows you how to create them.
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